Hairspray

Hairspray is a strange movie. It’s a musical without giant man-eating plants. The tunes are vaguely catchy, but you’re far more likely to find yourself humming time warp, or some other similarly dodgy tune. To add to this lack of catchy, the film has a message, and even though I agree with the message, it’s not a plus in a dodgy movie.

So, what is it that makes this film like-able. Certainly not Zac Effron. In fact, finding out that he was in it almost diminshed the enjoyment. It wasn’t Queen Latifa either. It may have been John Travolta. He’s normally better value as a villain, but, in a female fat-suit, it’s a close second. Christopher Walken married to John Travolta definitely tips the scale in Hairspray’s favour.

Other than that, there’s not a lot going for it, but it has very few annoyances either, barring the aforementioned Effron character, damn Disney Channel has a lot to answer for.

Hairspray gets 4 on the Stay Puft Marshmallow Man Rating for one reason and one reason only. John Travolta as a woman. This has endless possibilities for amusement, and Hairspray only scratches the surface. Perhaps we could convince him to do a hairspray sequel, but I won’t be holding my breath.

Hairspray requires a certain frame of mind to watch and as a result couldn’t get higher than 3 mutant smileys. It’s not something you’ll just grab out of the DVD cabinet, but it’s fun to watch occasionally. When you get tired of explosions, fight scenes and car chases, not that that is a regular occurrence.

Admitting to liking Hairspray may not get you any points in the heterosexual male olympics, but at least other dodgy movie afficianados may have some understanding.

And remember, we watch them, so you don’t have to.

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